HWP Document File V3.00 ]7С&‰7''ХЁЇЁЂ…аb10@wЎЌщбСеŽG)ccccŠЁЇ…Ђbа10#@СбЁЗСбaЕaИ”bаaŠ1996e‘ 2ЉЖ 4ЉЗ ЉЗaЖЉЗ, 6ЁЏ 8…ІэW]lе=у];!QHŠ Є MІВTBСQ 4…(›B‰јQ5Е’6уxэ,cgg *FВ+mŠDxХkБD6 Ж@ВЊ>јЅ‰‘@ъC+сJ‘ RЋМQMТљюй{fMH<˜kяюм™ћ}sЯї{ю"œ.фsЃy„ŽБуљуCЁЫ0ŽЖNоkFxЙZ7vЪg)ђOSўїЏт–Џп’7ОѕзFвоuЁheq,йХYЫјцЂ}ЃяєаТёэјSo[пhЪ=DЉRf9лpM”Кk|y‹ЅЌНЮН~,ЛщIOЖ^O”R^ГЋyщ”aЋй’1mOЫpнaИƒыI)Х^xRhE Лљ{–IЈСЄЅЋ#‡Ž†вьjЂоOCE$5Љ[ЬP/aєДБ3 ъЛTXн@NX9hбУ—оХАК<aСћі 0x3шрgg?рЧ}ђ˜ ы} №vtёК“ЯКxmт>Jі0рEВUIvxфЖѓIšїDћОХтЗ‰‡”.S}ЗёЗ™К:{їЋ$ВЈk/ЕѕPЦФ6ЪяUВЎ”]˜ЮСч]ъ^6увбСыxЕ§ywв:|гBKФКb"жЯЅЂГШХ,ЅќД->z­JНB]™q[]AИ…qUŠ(‰Ѓ­ШЉg Ћ”/[тF:Ё8#BГё O(NHе\Uuh`ьЦ,јN2тš‚њN4rіСеzі;|~бЦC+єl 6gџќŽг!ŒsжЩsœ<лld)їEƒžѕŸёйŸЎгГIEVОЗRЯЎcvкљЎЃЅшE^,ЫжУuйхi/пОхjO- /—tЋо|€u4ыtgЭ кЙ№сТ‚ИЎХMьњ‡œК\b С§оTяёГa,еГщ9…Dі(\ЧeD‚1­јJ;я cбœІ‹яжkГ\Ы‹Я{‰CxШдА5м7$LDДЫ^ЛљН›še‡{‰г„tЁ&lWв‚~ЃТоMВƒЕHўkИP8›ї&Ќѓ0ЌKi{—ƒЙМLzŸ{/иТsсeтMmн"ыфGМ”Uжь ДщьЖ›ZŠЖR^ The Origin & The Transform of Describing The Scene that Man and Woman Establish Relations in Choon-Hyang-Ga(…ТЗаaˆ) Jeong, Choong-Kwon The patterns of describing the scene that Mong-Ryong and Choon-Hyang establish ralations in Choon-Hyang-Ga, were originated from those of seosamuga(сЌaЌЂaˆ), especially Je-Seog-Bonpuri(AЙтЌЅЅ‰ЮЁЗ). The patterns of describing the scene that man and woman establish relations in Choon-Hyang-Ga are similar to those of Je-Seog-Bonpuri, as both receive usefully unit-words from Seong-Jo-Ga(їЌЁЙaˆ). And, pansori and seosamuga are subordinate to oral narrative poetry. So, in the evolutionary piont of view, I think that those of Choon-Hyang-Ga were originated from those of Je-Seog-Bonpuri. In the early stage, oral poets described cheerfully the scene that man and woman establish relations in Choon-Hyang-Ga, using unit-words from Seong-Jo-Ga. But gradually, oral poets try to describe the scene sorrowfully and try to stress on person`s mental state. In the long run, the affair that man and woman establish relations in Choon-Hyang-Ga inclines to the truly human affair. This is a sign of modern-inclination. €Њ/