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One of the characteristics found in the descriptions of the ghost figures is that they have the intention to represent the problematic situation of the ghosts as vivid as possible by using every senses of seeing, hearing and touching. The 'wonhon ghost tales', therefore, are structured in such ways as the ghost figures could be represented as vivid as you see them in your eyes. The descriptive figures help the story tellers' rememberance through association as well as enhance the listeners' interests in the stories they're listening to. The figures of ghosts will be impressed in listeners' minds as certain images while they are listening. Through the process, the figures of the ghosts described in the tales have been culturally conventionalized and have acquired a few common features to become a universal representation. In ƒArang type tales', the figures change from a virgin to a ghost with a passionate longing unfulfilled, a butterfly, a living corpse and a dissolved corpse, representing the inner state of the ghosts and the changes of the real situations the ghosts are under. But the ghost figures described in 'bride type tales' appear as a bride to a bride with a passionate longing uncompleted and a dissolved corpse. The images of the figures are so strong that they are easily carved in listeners' minds as some fixed unchanging images regardless of the change of time. One of the principles found in the description of the ghost figures is their denial of time. This characteristic which might be called a denial to physical time are especially effective for their economic and symbolical description of the psychological areas representing the ghosts' consciousness. The appearance of vivid images of the ghost figures and their disappearance are the images for the opposite situations of the ghosts in which their unresolved problems still remain and they are finally resolved. €9